By the time director Robert Zemeckis released the cleverly titled Back to the Future II sequel to his 1985 megahit Back*to the*Future, the DeLorean DMC-12 had been essentially reduced to a punchline. Inaccessible whether in bone-stock or modified-for-time-travel versions, the DMC-12 had achieved novelty status; the leagues of rabid fanboys and waves of post-boomer nostalgia […]
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